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Another One Gone: Disney+ Cancels Massive Series After ‘Star Wars’ Trilogy Shelved

Disney+ just shelved its Holes TV series despite ordering a pilot earlier this year. The adaptation of Louis Sachar's beloved novel won't be moving forward, joining a growing list of projects that Disney has quietly cancelled despite initial development investment.

Cast of 'Holes'
Credit: Disney

For a property with built-in name recognition and a successful 2003 film adaptation under its belt, the cancellation feels surprising. But it's becoming increasingly clear that brand recognition alone isn't enough to secure a series order in today's streaming environment. Even established IP with proven commercial appeal can get axed if the pilot doesn't meet whatever internal criteria Disney is using to evaluate projects.

The decision means audiences will never see the reimagined version of Camp Green Lake that was in development, and the pilot that was produced will likely never be released publicly.

What the Show Would Have Been

Movie poster for Disney’s “Holes” with the title in large orange letters. Three boys in hats and work clothes look up from below, surrounded by a bright blue sky.
Credit: Disney

The Disney+ adaptation took a different approach from the original story by gender-swapping the main character. Instead of Stanley Yelnats, a teenage boy wrongfully sent to juvenile detention, the series would have followed Hayley, played by Shay Rudolph. The setting shifted from Camp Green Lake to Camp Yucca, but the core premise remained the same: a teenager forced to dig holes in the desert discovers shocking connections to the past.

Greg Kinnear was attached to play the warden, with Aidy Bryant cast as camp counselor Sissy and Noah Cottrell as kitchen employee Kitch. The pilot assembled a cast of young actors including Flor Delis Alicea, Anire Kim Amoda, Iesha Daniels, Sophie Dieterlen, Alexandra Doke, and Maeve Press as Hayley's fellow campers.

Behind the scenes, the project had solid creative pedigree. Alina Mankin wrote the pilot, Liz Phang served as showrunner, and Jac Schaeffer directed. Executive producers included Drew Goddard via Goddard Textiles, Sarah Esberg, and Mike Medavoy via Shamrock, which holds the rights. Walden Media, which produced the 2003 film, was producing the series with 20th Television as the studio.

On paper, everything looked promising. Experienced talent, strong source material, connection to a successful film, and Disney backing. Yet none of that was enough to secure a series order after the pilot was completed.

The Original Success Story

Sachar's novel was published in 1998 and won both a National Book Award and a Newbery Medal, cementing its place as a modern YA literature classic. The 2003 film adaptation directed by Andrew Davis starred Shia LaBeouf in his breakout role and featured an impressive ensemble including Sigourney Weaver, Jon Voight, Tim Blake Nelson, Patricia Arquette, Dulé Hill, and Eartha Kitt.

Both the book and film were critical and commercial hits, making the property seem like an obvious candidate for television adaptation. The serialized format could have allowed for deeper exploration of the story's dual timelines, character backstories, and the mysterious curse connecting Stanley's family to Camp Green Lake.

The gender-swapped approach suggested Disney was attempting to differentiate the series from the film while potentially appealing to contemporary audiences. However, whatever creative direction the pilot took apparently didn't convince executives to commit to a full season.

Disney's Cancellation Spree

Kylo Ren (Adam Driver) dueling Rey (Daisy Ridley)
Credit: Lucasfilm

The Holes cancellation fits into a broader pattern of Disney pulling back on projects across its various platforms and brands. The company has become noticeably more selective about what actually makes it to production, even for properties with established fan bases.

Star Wars has been particularly affected. Rian Johnson's planned trilogy, announced with fanfare after The Last Jedi in 2017, is now effectively dead. Johnson recently confirmed in interviews that the project is no longer in active development, though he hasn't completely ruled out returning to Star Wars someday if the timing works out.

Disney also cancelled The Hunt for Ben Solo, a Kylo Ren project that would have followed The Rise of Skywalker. That cancellation sparked fan campaigns hoping to convince Disney to revive it, but so far there's been no indication the company is reconsidering.

These cancellations suggest Disney is taking a more cautious approach to content development, willing to cut projects even after significant investment if they don't align with whatever strategic vision currently guides the company's decisions.

What This Signals

The Holes cancellation sends a clear message about Disney's current approach to series development. Having a successful film adaptation, award-winning source material, experienced creative team, and major studio backing doesn't guarantee advancement from pilot to series.

Streaming platforms are conducting brutal evaluations that can result in cancellation regardless of a project's pedigree. Whatever metrics Disney is using to determine which pilots get series orders, the Holes adaptation didn't meet them.

For creators pitching adaptations of existing properties, this should be sobering. The traditional markers of adaptation potential like brand recognition, previous commercial success, and built-in fan bases are no longer sufficient protection against cancellation.

The gender-swapped premise might have been an attempt to offer fresh perspective on familiar material, but it apparently wasn't enough to convince Disney+ executives that the show warranted full production. Fans of the original book and film will have to settle for the 2003 movie as the definitive screen adaptation, because the television version isn't happening.

Alessia Dunn

Orlando theme park lover who loves thrills and theming, with a side of entertainment. You can often catch me at Disney or Universal sipping a cocktail, or crying during Happily Ever After or Fantasmic.

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